Curator of Archaeology and Numismatics for Leeds Museums and Galleries and secretary of the Society for Museum Archaeology. Inspired to be an archaeologist on a school trip to the Hancock Museum, Newcastle, age 7.

Choosing objects to display at Kirkstall Abbey

Kirkstall Abbey

Kirkstall Abbey (c) Leeds Museums and Galleries

I’m Kat Baxter, Curator of Archaeology for Leeds Museums and Galleries. There is no typical day for me as this job is so varied, but the Day of Archaeology this year has fallen on a day when I’m documenting objects to display in the visitor centre at Kirkstall Abbey.

Kirkstall Abbey is a 12th century Cistercian monastery and one of nine sites run by Leeds Museums and Galleries.  The site has been excavated a number of times over the years, most recently in the 1970s and 80s when the guest house complex was excavated.  All of the material generated from these excavations is housed in our store at Leeds Discovery Centre.  The guest house archive has recently been the focus of PhD research by Richard Thomason, who just completed his AHRC collaborative doctoral award on hospitality at Kirkstall Abbey, and most of the small finds were catalogued by two interns who worked diligently on the material.  We are now looking at ways to tell these emerging stories of the different types of people staying at the Abbey in a new small display in the visitor centre.

But first, back to documentation! Before we can use objects in any way, we make sure that they are catalogued on our museum database called TMS.  This involves assigning accession numbers, logging all information about the objects and tracking their location.  I have recently had a number of objects from the archive professionally photographed, so I will be attaching the images to each object record.  A record is ‘curator approved’ when it reaches a minimum standard.  Records on TMS look like this:

TMS screen shot

One of the TMS object records (c) Leeds Museums and Galleries

All this work is really important, because without solid documentation none of the objects in the collection can be used or tracked. Although we are strict about documenting any new objects that come in, like all museums we have a backlog to work through.  Cataloguing objects can inspire us when thinking about which objects to display, how they can be displayed and what stories we can tell to excite visitors to Kirkstall Abbey!

KA GROUP

So that will take up a lot of my day today. I often tweet about objects in the collection so please feel free to follow me on @CuratorBaxter.

Thank you! Enjoy the Day of Archaeology 2016.

Kat Baxter

Curator of Archaeology, Leeds Museums and Galleries

 

Planning for the Roman Invasion of Leeds

Hi, I’m Kat Baxter, Curator of Archaeology for Leeds Museums and Galleries.  I’m always thankful that I have a really varied job, and the Day of Archaeology 2014 has fallen on a day when I’m up to my ears in exhibition planning.  On 20th September this year the British Museum exhibition ‘Roman Empire: Power and People’ will open at Leeds City Museum.  Over 160 objects from the British Museum collections, as well as loans from The Yorkshire Museum, will arrive on site in less than 2 months (gulp!), as well as graphics, set dressing, and interactives.  We will also be integrating our own collections into the displays, and adding our own touches.  So right now it’s all about planning, planning, planning.

Every case in the exhibition has to be mapped out in advance.  Which objects will be displayed in each case?  Will they fit, physically and thematically?  What display height will be most accessible for visitors?  What mounts will we need to make?  What fabric / paint can we use?  How many labels will we need and how big will they have to be?  What about security?  What about lighting?  What about colour scheme? The list goes on and on.

I’m using Google Sketch-up to design each case so right now my computer screen looks like this:

A screenshot from Google Sketchup

A screenshot from Google Sketchup

I’m only drawing case layouts in 2D (but I do check the depth of objects), and yes I’m only drawing rectangles to represent maximum height and width of objects and plinths (I don’t get too technical), but it reassures me that everything will fit and gives me a chance to alter things that don’t work.  When the objects arrive at Leeds City Museum in September I’ll be clinging to these drawings and praying that all my dimensions are correct!

Even though I’m working on something specific today, there really isn’t a ‘typical day’ being the archaeology curator at Leeds Museums and Galleries.  Take my desk for instance – right now it looks like this (it’s not normally this untidy):

It's not normally this messy. Honest!

It’s not normally this messy!

What’s on my desk in a messy heap is mostly paperwork linked to the Roman Empire exhibition (exhibition layouts, object lists, marketing templates, etc), but also paperwork linked to a whole range of other projects going on at the same time.  If the Day of Archaeology was tomorrow I would be running a family event using human remains to uncover clues to the past.  If it was yesterday you would have found me in the stores finding objects to take to the conservation lab for future display.  If it was last Friday I would have been down in London at UCL for a ‘Society for Museum Archaeology’ committee meeting.

Every day is completely different, and that’s probably why I’ve been doing this job for 9 years and I still love it.

Kat Baxter, Curator of Archaeology, Leeds Museums and Galleries