Lego

Celebrating Scottish Archaeology!

As a bit of a disclaimer, this post will not include any well-worn trowels, muddy boots, ancient artefacts, swarms of midges, or ugly jumpers. This post will, however, feature some Victorian silliness, Lego archaeologists, and an exclusive look at what it’s like to spend a year celebrating Scotland’s past with Dig It! 2015!

Dig It! 2015, co-ordinated by the Society of Antiquaries of Scotland and Archaeology Scotland, is all about demonstrating that archaeology really is for everyone. In addition to gathering learning resources, supporting organisations and creating bespoke events, we’ve developed a programme of hundreds of activities, from ‘traditional’ outdoor digs and museum exhibitions, to more unexpected events, such as theatre performances, music festivals and Minecraft sessions.

Victorian Sensation _ Dig It! 2015

Having a bit of fun at the ‘Photography: A Victorian Sensation’ exhibition

The Dig It! 2015 team is pretty small, but we have an extra member today, as one of our fantastic volunteers has joined us! Nuria Lopez, has been volunteering with us to research and analyse lifelong learning options in archaeology in Scotland. We used our lunch break to bring Nuria along to the ‘Photography: A Victorian Sensation’ exhibition at the National Museum of Scotland, where we encountered the pioneers of photography. Of course, this excellent exhibition isn’t complete without a few silly shots.

After returning to the office, we settled back into our work. We recently ran an archaeology, art and photography competition with Forestry Commission Scotland, called Dig Art! 2015, and we’re now sorting out all of the amazing entries. One of the prizes for our promotional mini-competitions was personalised Lego characters, and we’re very excited to use the Day of Archaeology to premiere three new mini-members of the Dig It! 2015 Lego team! We’ll be mailing out these tiny archaeologists over the next couple of days – two within Scotland and one to Australia!

Lego Winners _ Dig It! 2015

Tiny archaeologists strike a pose (Image credit: Stephen Reid)

These pink Dig It! 2015 t-shirts (as seen in our #VictorianSensation photo) have naturally become the must-have fashion item of 2015 and we love it when they appear in our inbox or on social media. Photos have come from exotic locations such as Ethiopia, the United States, Cyprus and Dundee. The latest photo arrived last night from the Ness of Brodgar in Orkney (featured on the cover of National Geographic last year). Jenna Ward, a yearly volunteer at the dig and archaeology Masters student, braved the cold July weather to brighten things up a bit. Thanks, Jenna!

Jenna Ward _ Dig It! 2015

Dig It! 2015 popping up at the Ness of Brodgar

Finally, we’ll be sending copies of our new programmes to the Scottish Borders. The wonderful Borders Heritage Festival is featured in the programmes, and they have requested a few copies of their own. These programmes provide a taster of events happening throughout the country from July to December, and are also available throughout Scotland in places such as libraries, train stations, cinemas and airports.

Time to get back to answering all of your lovely emails, promoting activities, researching lifelong learning courses, coordinating events, and sifting through amazing Dig Art! 2015 entries. Hope you enjoyed this little behind-the-scenes tour. If you’d like to know more about Dig It! 2015, or get involved, please visit www.digit2015.com.

Dig It! 2015 Programmes

Dig It! 2015 programmes are ready to go


Playing with time #buildyourownportus

A Lego model

Inside the Grandi Magazzini di Settimio Severo, Portus

I’ve just finished the excellent Massively Open Online Course (MOOC) Archaeology of Portus, run by the University of Southampton’s archaeology department. The six week course was an introduction both to the Portus Project in Italy, and to the skills and techniques of modern archaeology. It was a great success, with a real sense of community among the students on the comments forum, and an amazing amount in interaction from the the course creators (which included both University faculty and post and undergraduate students). The last week was live, with videos filmed on site responding to questions the MOOC students raised.

If, having read this brief summary, you feel you’ve missed out on something special, fear not! The course was such a success that the University and FutureLearn have agreed to run the course again in the new year. Sign up for it here!

One of the challenges students raised was that there wasn’t enough time allowed to do everything. The course designers had allowed two hours of study a week, but their optional activities were so compelling that people could spend twenty hours exploring everything, and that was without being inspired to explore Portus in ways neither the core materials nor the optional activities suggested. More than one of us, inspired by the computed models that showed how the buildings might have looked, wanted to have a go at modelling ourselves.

More than one of us indeed took a similar route to our own visualisations: Lego system bricks. I started by raiding my son’s Lego stash. Which I had thought was pretty extensive. I realised pretty soon that it wasn’t big enough to build even the one building I’d chosen in real, plastic Lego, so I turned to Lego Digital Designer (LDD), a free program that allows you to experiment with infinite availability of bricks of all types. Even so, at the minifigure scale I was attempting, I only managed to recreate a corner of the building.

Other MOOC students quickly whipped up Lego models of their own, and smaller scales. So I had another attempt. This time using an arbitrary one stud =~one meter scale, and working in real Lego to experiment with building from the inside out. Having built one singe warehouse “storage unit”, I returned to LDD to replicate that the forty-odd times that the archaeological evidence suggests the central range of the buildings consisted of. That’s only a third of the the building done. But I was pretty pleased with the results so far.

 

In a moment of madness, I wondered whether I should order the relevant bricks and have a go building it for real. I stopped thinking when I got to a particular 1×6 arch brick that is no longer available, and already the price of the bricks I’d ordered so far was about £470. Playtime was over.

But then I went to work. I work for the National Trust in my day-job, and had to make a visit to the Vyne a week or two ago, and they currently have on display a large Lego model, based on all the archaeological evidence of what that place looked like in its Tudor prime.

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Looking at this model. It dawned on me that there’s something very important archaeologically about using Lego (or any other construction toy, I’m not a Lego shill!) to visualise the past. Every model a archaeologist produces is an experiment, a theory. It follows that every model an archaeologist produces is wrong.  Of course the idea is that the more evidence an archaeologist applies to their model, the less wrong it is. But there is always missing evidence, always an element of conjecture.

But models can be very seductive, especially when they are presented by institutions like museums, the National Trust, or media like the BBC and National Geographic. Then they become authoritative, they are imbued with an illusion of rightness, of “that’s exactly how it was”, that would embarrass the archaeologist who produced it. Archaeologists would prefer to show a model in constant flux, shifting through all the “might have beens”, all the theories and conjecture that hasn’t yet been discounted.

Computer modelling is a double-edged blade (modelling knife?) in this regard. On the one hand, computer models allow archaeologists to efficiently try different versions of the model, but on the other hand, with ever more sophisticated textures and lighting effects, computer models can appear even more real.

But Lego comes with an inbuilt sense of “unrealness.” Inherent in a Lego model is the idea that you can break it to bits and rebuild it as your ideas change. There’s also a sense that everyone can do this. You don’t need to have a high-powered computer with multiple GPUs and expensive CAD software. You don’t even need the Lego. All you need is your imagination.

So on this Day of Archaeology, bring your own imagination to the table. Play around with ideas. If you can’t get to a dig, or help out with finds recording you can still contribute to our ever growing understanding of the past. Share your “might have beens” with each other, because the more might-have-beens we share, the closer we get “that’s how it was.”

A Lego Colosseum and Other Stories

I am a Classical Archaeologist at the University of Sydney in Australia, and work as the Manager of Education and Public Programs at the Nicholson Museum, Australia’s largest collection of Old World archaeological material.  So my ‘Day of Archaeology 2012’ is spent like most others – trying to balance between museum education and archaeological research on the project I am working: excavations of a Hellenistic-Roman period theatre site in Paphos in Cyprus.

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Museums and Archaeology

Hello, my name is Candace and I am an Archaeologist.

The University of Sydney, Main quadrangle

This is wheremy career in archaeology began, at the University of Sydney as an undergraduate in the archaeology Department. And is now where I work for Sydney University Museums.

 

My role at the Sydney University Museums varies from day to day. I work part time as a Collections Officer with the Collection Management team, as well as part time as a Curatorial Assistant for the Nicholson Museum.  These positions afford me the ability to work with the public and behind the scenes of three very different Musuems and Art Galleries! Today I will be working across all three galleries and in the stores photographing my day as I go. In addition to my daily tasks I will also hopefully find some down time to work on a conference paper I’m presenting in two short weeks on my own archaeological research in Northern Greece and the central Balkans. Follow the captions in the Photo Gallery to see where I am and what I am up to!

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