poetry

To those in the field who do strain…

Hello! Dear friends, on this day of arch

I’ve a poem for you, little more than a lark.

So forgive me today, if I do not blog

and don’t think my rhyme is simply just fog!

 

We love our heritage, the things we’ve saved;

my cup of tea is how knowledge is made.

Now many have said that, ‘theory’s a game’

but I’ll follow my passion if it’s all the same.

 

‘Theory’s too hard!’ my students shout,

those old ideas still have some clout.

The dirt, the lab, my colleagues’ calling,

the theory ‘game’ is for what I am falling.

 

So g’day! To those in the field who do strain,

Today is a day I simply work with my brain.

Solace in words while friends dig the ground.

It is not dashing, old white men abound,

but I love my theory radical, critical, profound!

From Cultural Property to Fiction

Cast of part of the Parthenon frieze at UCS

Is there a typical day in the life of a Professor of Archaeological Heritage at University Campus Suffolk?

This is the week of Ip-Art, the Ipswich Arts Festival. On Tuesday night I was at Arlington’s in Museum Street for a poetry evening hosted by Poetry Anglia. The building was constructed as a museum – so it appropriately became the home of the muses! I was invited to be the first reader and offered my ‘Roman Vision‘ reflecting on the Roman remains that peep out among the buildings of modern Athens.

Earlier in the day I had attended an e-learning workshop. There was a focus on the use of iPads, a topic of interest to me through the Gwella project work at Swansea University (in my previous role). I am developing materials that can be delivered to smart phones and tablet devices to assist with the interpretation of archaeological and heritage sites.

Wednesday was the UCS research day. There was a varied programme with a keynote address on e-medicine. I gave a paper, ‘Looting matters: cultural property, conventions and compliance’. This considered a discussion of how recently surfaced antiquities can continue to surface on the market and to be acquired by major museums. I reviewed some of the international guidelines, as well as the ethical codes for museums and dealers in ancient art. The focal point was the compliance (or non-compliance) of dealers and museums when questionable material is identified. (For more on this topic see ‘Looting Matters‘.) Earlier in the week I had received my offprint of a study of the material returned to Italy from Princeton University Art Museum.

The same research conference included a discussion of project management from a colleague in the Business School. We have developed an interesting dialogue about the management of ancient projects. I was struck by the wording the (Athenian) Eleusinian Epistatai decree of the 430s BC that cites the way that the ‘management’ structure for the temple (presumably the Parthenon) and the statue (presumably the Athena Promachos) should be used as a model.

The Sainsbury Centre at UEA

Yesterday was spent in a series of meetings at UEA in Norwich. Part of the day involved discussions in the Sainsbury Centre and it was good to see the series of Cycladic marble figures from the southern Aegean. These figures formed the subject of a research paper with Christopher Chippindale (Cambridge University Museum of Archaeology and Anthropology) that was published in the American Journal of Archaeology [JSTOR]. It was the first in a series of studies about cultural property.

One of the trends on Twitter yesterday was the submission of online poetry from around the world to celebrate the forthcoming Olympics.  I offered my ‘Shaded Marbles‘ as an audio track with appropriate images. The theme is on (historic) cultural property currently in the British Museum. (The Greek theme was appropriate given the origins of the Games.)

Another of my roles is as Head of the Division of Humanities. So this evening I will be attending the Short Story event in the Spiegeltent at Ip-Art to hear the competition winner announced. I was one of the judges for the short-listing and I have been asked to say something about our institutional support for this literary event.