From earth to light: photographic and documentary revelations

Hello ! My name is Emilie Trébuchet and I’ve been an archivist with Inrap for 7 years. Before that I was an archaeologist, also with Inrap, and I directed several operations. After ten years of fieldwork in many different places, searching for new knowledge and perspectives, I felt a need to return to my early interests (books, writing, images, and documentation). I thus have a double education, as an archaeologist and archivist, specializing in images. My work day revolves around these two disciplines, which I find amazing and would like to share with you. My perspective as an archaeologist influences my perception of the archives, and vice versa.

The archaeology of photographic archives

And today, 13 May 2015, happens to be a very special day: it is the inauguration of the exhibit “Dans l’oeil du viseur. Pictures revealing archaeology” at the Saint-Raymond museum in Toulouse, of which I am the scientific curator.
This exhibit, and its catalog, is the outcome of an internship I did at the municipal archives bureau of Toulouse, as part of my Master 2 Professional degree “Archives and Images”, which I realized in 2010-2011 in Toulouse (Université du Mirail, Educational leave funded by Inrap). It is the result of an intensive search for images of archaeology over a 3 month period in the ancient photograph collection of Toulouse: this work involved research, analysis and the processing and valorization of archival documents, which was just as exciting as an archaeological operation. It was also an unforgettable adventure which will be continued through various projects in progress.

An exhibit space. ©J.F. Peiré

The exhibit space. ©J.F. Peiré

Example of a photograph displayed and showing, in 1869, a last pile of the Daurade bridge in Toulouse, shortly before its destruction (1875). © Municipal Archives of Toulouse

Example of a photograph displayed and showing, in 1869, a last pile of the Daurade bridge in Toulouse, shortly before its destruction (1875). © Municipal Archives of Toulouse

The inauguration was an opportunity to thank the museum (Cl. Jacquet on the left, general curator of the exhibit, and me), the Municipal Archives of Toulouse and Inrap. The speeches were followed by a guided visit of the exhibit and a reception. © M. Dayrens

The inauguration was an opportunity to thank the museum (Cl. Jacquet on the left, general curator of the exhibit, and me), the Municipal Archives of Toulouse and Inrap. The speeches were followed by a guided visit of the exhibit and a reception. © M. Dayrens

Archives of archaeology

Archival management is the work of a team, at Inrap made up of 13 agents, distributed (répartis) among different archaeological centers across France. Since I find the French grammatical rule of gender ridiculous, I am going to write “réparties” (the feminine form of “distributed”) since we are 12 women out of 13! We would like to have a louder voice, and to be more numerous because:
– the production of documents and data continues to grow and constitutes the heart of the activity of archaeologists,
– the sources of information are multiplying,
– new technologies continually transform our profession.

My typical day as an archivist at the Inrap bureau in Tours is filled with many tasks, and discussions as well. When I arrive at the office in the morning, I take a look at the new documents to be catalogued, I greet my colleagues and answer their questions, and ensure that the documentation center can welcome them. My main task is in effect to manage the archival documents and facilitate their access to archaeologists: in our on-line document catalog, Dolia, we continually announce the new publications acquired, as well as the reports produced by archaeologists – an exceptional resource for research! For the past two years, I have also been very interested in the digital records of excavation and its archiving. There is a lot to do…

The Inrap documentation center in Tours © G. Babin, intern at Inrap

The Inrap documentation center in Tours © G. Babin, intern at Inrap

The reports © G. Babin, intern at Inrap

The reports
© G. Babin, intern at Inrap

My days can be filled with many other priorities as well: locating information for archaeological operations, developing tools (synthesis, curation, information transmission, etc.), education, intern training, student orientation, meetings, orders, etc. I also communicate regularly with archivists in other structures.

This profession, which requires continual evolution and is situated at the interface of other professions (AST, archaeologists, CAD-CAM, research and development, etc. at Inrap), is very interesting, even if is sometimes a battle to make its importance known. It amuses me to think that archivists are sometimes perceived as archives themselves: they represent the memory of activities and are regularly consulted. We never really know how to use them, nor what purpose they will serve, but we know that one day they will become indispensable…

Emilie Trébuchet, Inrap archivist and archaeologist, UMR 7324

A Day with Macedonian Archaeology – Promotion of the new book “Ancient Demir Kapija”

Promotion of the new book of PhD Viktorija Skolovska “ Ancient Demir Kapija“.

PhD. Sokolovska is well known name in Macedonian Archaeology, first as curator at the Archaeological Museum in Skopje, then as a director of Museum of Macedonia from 1991-1995, that all her professional life she devoted to research the antique period in Macedonia and published in more than 90 texts.

The book has a volume of 118 pages, 110 illustrations, including 7 maps, 84 photographs in color and black and white, 4 plans, 6 boards, 9 drawings and findings. The content is organized into two major parts.
This is the link where you can download the book

Gazebos and garden furniture

After this morning’s excitement (being on the radio and Britain’s oldest piece of iron- see my previous blogs) I have spent this afternoon away from my normal den and been at The Oxfordshire Museum in Woodstock. After packing up my selection of objects for tomorrow’s object handling session (flints, beaker, Anglo-Saxon bling and a few other bits and bobs) I drove over to the museum to unload and lock it all securely away until tomorrow, and then helped out the team here, erecting gazebos in the garden and moving the garden furniture to make enough space for tomorrow’s reenactment group, Dumnonika. We’ll have crafts for children too, thanks to the Education and Outreach team, and now (fingers crossed) I think everything is ready to go for the opening day of the Festival of Archaeology tomorrow. We’ve been planning it for months, and its really satisfying to see it all coming together, and we are already starting to think about next year’s festival, the main thought being we should begin planning much earlier!
Anyway, my 5:30 start seems a long way off now, and I have only had one bacon butty since then and another long day ahead of me tomorrow, so I am signing off to go home and lounge in the bath. Its been an unusual day, a long day, but a very satisfying day. The kind of day that makes me think there is no better job than being a Curator of Archaeology, and how very, very lucky I am!

The Curator’s Lair

So, this is the nerve centre of the museum – my office! I know it could do with a bit of a tidy and yes, that is a bed on the floor (I have a bad back).

The filing cabinets contain records for all of the artefacts in our collection and the box files contain copies of all of the research projects on the collection produced by students since 2005. You might also be able to make out my collection of animal bones (I am an animal bone specialist by training and for some reason Mrs Symmons won’t let me have my collection of bones in the house).

And in case you were wondering – that IS a tweed jacket on the back of the chair. No self respecting curator would be seen dead without a tweed jacket!



Early Start!

I was up at 5:30 this morning so I could get to work and open up in time for some live broadcasts on the BBC Radio Oxford Breakfast show, hosted by Phil Gale. That was not a normal start to my day, but very welcome because it gave me the chance to talk about the Festival of British Archaeology, which begins tomorrow, and in Oxfordshire, we have an all-day event planned at the county museum.
I got to work (the Oxfordshire Museum Resource Centre, where I am the Curator of Archaeology) shortly after 6 and spent about fifteen minutes opening everything up, unlocking, getting the lights and the kettle on, before Lilley Mitchell, the roving reporter for the breakfast show arrived with the radio car so we could broadcast live. Lilley was delightful, and we had great fun looking at a range of stone axes, some anglo-saxon swords and newly acquired treasure items and talking about them on air in 4 seperate slots each lasting about 4 minutes. I have not had any feedback about how it went yet, but Lilley seemed very satisfied, and once we had finished broadcasting we had a cup of tea and a more leisurely look around. I think she enjoyed being dressed up as an anglo-saxon woman by the Education and Outreach team most!

The working day of Cape Town’s Archaeology-Cool-Kids-Club

Cape Town has been relatively grey this week; I woke up this morning thinking I was back in York. Having got my bearings correct I set about the morning getting ready for work. I’m the new archaeology intern at the Iziko South African Museum ( and for Day of Archaeology I’m basically going to play the role of a journalist, going around asking people about their day and taking photos. So let’s start with my day.


Iziko South African Museum

Keneiloe (Kenni) Molopyane


Bioarchaeologist turned Physical Anthropology PhD candidate

At some point in the morning I finally made it to my office in the Archaeology Department bracing myself for a relatively calm day filled with admin work, gathering Physical Anthropology data for my potential PhD proposal and sorting out my relocation logistics… I quickly slip into my general intern routine that includes running up and down the stairs to collect the mass amount of prints I send to the printing machine one floor above us. Then it’s a quick scanning of the notice-board, which I inherited from the last intern. I decided it didn’t need any updating today besides; I have somehow managed to paste the wall around the actual notice-board with short articles, notices, comics and job/funding posts. The actual notice-board is bare!! I seem to have some mad skills there. Right, then it’s my favourite part of the day, reading emails. Depending on how many emails I’ve sent out the previous day determines how many responses I get back and for how long I’m going to be sat in front of my computer. The most interesting bit of news from the electronic mailman is that my new office at the next institution I’ll be tutoring at is in the basement! How awesome, I get a crypt-like office!! My dream of becoming “Bones” is that much closer to becoming reality; I’m a bioarchaeologist by the way. I’m more interested skeletal or mummified remains of past peoples than I am of the artefacts left behind. I’m the creepy chick in the department.

Emails, done; printing, done; coffee *slurp* finished; and so I grab my camera and dash out over to Iziko Social History centre to go bug the guys up at Historical/ Maritime Archaeology. I started my Iziko career over in that building in Maritime Archaeology, so it’s always grand to just chill up there with the guys over a cup of coffee, laugh and be teased at. So, I get there and do my paparazzi gig and stare, dumb-founded, at all the shipwreck material in the lab.
Jaco Boshoff


Getting into the proposal writing zone

Jaco is the curator of Maritime and Historical Archaeology. This morning I found both him and Jake (maritime archaeology intern) in the wet lab calibrating the ph reader, so they can start using it on a series shipwreck material that dots the lab and the balcony. Once that’s out of the way, it’s back to serious curator business…making the hardworking interns some delicious coffee =). Hie, hie, jokes aside, Jaco gets settled in working on publications and research monies to keep myself and Jake coming back for more work experience and most importantly the awesome diving adventures that are in the works. Leaving Jaco to get on with his day, I turn my attention to Jake.

Jake Harding


The “not sure if Jaco is talking to me or himself again” look.

Jake is the maritime archaeology intern on the same funding programme I’m on (DST-NRF). Now Jake, just like Jaco, is crazy about all things maritime archaeology related, aka shipwrecks. He’s day starts out with checking on the many shipwreck artefacts that are in the lab. Documenting and treating numerous cannon balls and strange iron pieces, as well as your occasional knocking off concretion with a chisel and hammer is all a part of Jake’s day. I haven’t a clue what’s going on with all these artefacts, and Jake is just going on about each iron piece in solution and how they all fit together or not, with this pure, unadulterated excitement. I wonder if I get that way when talking about skeletons.

I had a video recording (or at least I thought it was) of Jake taking me through his day and the artefacts, but because technology is way higher grade for me, I can’t find the video on the camera. =(

One cup of coffee later, I’m making my way once more to the South African museum or ISAM as it is known among the inner circles of Iziko.

So, I’m sat in my office after a quick run upstairs to the printers again and I hope to finally sit down and type out the pathology report I put together a week ago. An email pops in and it’s from the University of York’s alumni about taking part in their “where are you and how you doing” survey. I can foresee this is going to take me a while, so I’ll put it off for Monday. Wilhelmina pops in and we sit down and go through her day.

Wilhelmina (Wil) Seconna


Now where would that Khoe pot be?

Wil is the Assistant Collections Manager…actually she’s the best Collections Manager ever! She makes sure that all the operations going on in the department run smoothly and that everybody is happy. It seems that we have similar morning routine going on here. Wil’s morning begins with going through a mass amount of emails and research requests for access to the archaeology collections. All the SAHRA permits applications and all things admin were taken care of with a quick session at the computer, and Wil just make’s it look so easy. A quick run to the printers is followed by a mini adventure in search of a Khoe pot for the Land Act exhibition coming up soon
Naturally, when you have a department filled with girls, you can expect there to be shopping talk involved at some point in the day. Today, Wil & Erica kidnapped Pascal and went out shopping…for safety gear quotes. Overalls, boots, gloves and hard hats aren’t exactly what us girls want to be shopping for, but hey, we’ll take it. Why are we buying safety gear? The museum is currently going through a major revamp and so there’s construction being done in the building…as you would have it, the archaeology collection is required to move. So yes, we need heavy duty outfits that can be worn while we methodologically relocated the storeroom which houses over 100 (at least) sites in and around the Cape. Shopping trip over it’s time to get the shelving out from the storeroom and into the main lab, and Erica takes charge.


Erica Bartnick

SA_WCP_Cape Town_ISAM_Level 3 Store_Sutherland Material_Feb 2012

“Kenni, stop with the paparazzi-ness”

Erica is the Collections Assistant working on the Physical Anthropology collection.
Her day today went along these lines: first task was to photograph the de-installation process of the casts made by former taxidermist, John Drury, in the Ethno Hall. It’s been decided that the casts of the human figures are to be removed and replaced with wire figurines; it’s all very futuristic and arty looking. Then there was the shopping trip followed by admin work regarding the Physical Anthropology collection. New labels for the skeleton boxes were prepared as well as a mapping system for the new layout of the collection. As already mentioned before, the archaeology storeroom is being shifted around and so today’s main activities were centered the moving of the shelving and ensuring that the next site collection (Klasies River Mouth) to be moved is all prepped and ready to go.



The manpower behind moving the shelving and super heavy boxes containing Stone Age material are our resident packers!! Sam, Angus, Pascal and Manzi
These guys do all the heavy lifting so that pretty girls such Wil, Erica and (depending if it’s a bad hair day or not) myself don’t have to.


And that’s a wrap folks, off to the pub I go!!

Ok, it’s the end of the work day and I need to head off to a farewell gig for one of my SAHRA mates and dive buddy. She’s heading out to the USA for some warm-water-diving adventures. Goodbyes always suck, but it’s the one time in what has felt like forever since I hung out with the SAHRA (South African Heritage Resources Agency)Underwater Unit, it’ll be great…they’re great! Here’s a short piece and video link to what my awesome Maritime Archaeology mates do =).

Sophie Winton


Can I get in the water now?

When I sat down to write something for Day of Archaeology, my mind went blank! As a maritime archaeologist in South Africa, there are just too many wonderful things that I want to share about the world below the waves.

So instead of writing a 20 page essay, I thought I would let this video sum it up for me. This was filmed during SAHRA’s Maritime and Underwater Cultural Heritage Field School in 2012, hosted in Cape Town. Table Bay was a toasty 10 degrees Celsius and we were doing NAS training with some wonderful students from South Africa, the Netherlands, Swaziland and Canada.

If you would like to find out more maritime archaeology in South Africa, visit


…And Just Where Did That Come From?

As a curator at Grave Creek Mound Archaeological Complex in Moundsville, West Virginia, I find myself asking this question often, “…and just where did that come from?”  This facility houses thousands of boxes of archaeological artifacts, many of which were excavated as far back as fifty to sixty years ago. Most of the boxes had been moved here and there throughout the state of West Virginia until our facility was built in 2008.  With all of that “moving,” it is no wonder that some of the artifacts’ “stories” have been lost to time.  On some days, I feel like I’m conducting archaeology on archaeology.

Just yesterday, I opened a box that had simply been labeled “Museum.”  It contained multiple artifacts including both prehistoric and historic material, some from identifiable sites and others with no provenience at all.  Many of the artifacts still had residue from where they had been mounted in an exhibit years ago.  Being a historical archaeologist in a state with such an overwhelming prehistoric archaeology presence can be tough sometimes, so you can imagine my utter joy when I retrieved a few late eighteenth/early nineteenth century artifacts from the box.  There were bone handled forks, tombac buttons, hand painted polychrome pearlware sherds, and musket flints…oh my!  Lucky for me, there was a tiny accession number written on a few of the flint pieces.  What a fortunate find indeed! With a little more digging, pardon the pun, I was able to find out that the artifacts had been excavated from a site in the summer of 1970 by Ms. Bettye Broyles (of St. Albans fame) and a team of students from a science camp being held in the Pocahontas County area.  The site was described as a farmstead that had been inhabited from the late eighteenth century to no later than 1810.  After even more investigating, I discovered that we have six more boxes of artifacts from the site, all patiently waiting to be rehoused into new boxes and bags!  What a discovery!


Bone handled forks, Copper Alloy buckle, and metal buttons from a site in Pocahontas County, West Virginia

Bone handled forks, Copper Alloy buckle, and metal buttons from a site in Pocahontas County, West Virginia

"More Cow Bell" - Ferrous metal bell recovered from site in Pochantas County, West Virginia

I am looking forward to when I have some “free” time to continue my research into this surprising early historical archaeology site from the Mountain State.  Perhaps if you visit the museum in the next couple of months, there will even be a display of the ‘treasures’ that were excavated there some 43 years ago, and I will be able to tell you even more of the story behind these wonderful, early American artifacts.

Curating a Small Archaeology Museum

I am the curator and archaeologist for the Lost City Museum, a small archaeology museum located in Overton, NV. The main focus of the museum is the Virgin River Branch of the Ancestral Puebloans (also known as the Anasazi) who lived at the archaeological site complex formally known as Pueblo Grande de Nevada, but more commonly referred to as the Lost City. The Lost City Museum has a collection of artifacts dating not only to the Ancestral Puebloans, but to the group that occupied southern Nevada after it was abandoned by the Ancestral Puebloans, the Southern Paiutes.

As the curator of a small museum I have many different projects going at once, ranging from a rehousing project that is being funded through money to organizing special events at the museum. One of the projects I am currently working on is the analysis of the museum’s incised stone collection. The incised stones were collected from Clark County, NV, the southern-most county in Nevada. Incised stones are intriguing artifacts because archaeologists aren’t entirely sure of their prehistoric use. Some suggest that it is a form of portable rock art while others suggest they could have been used by shaman during rituals.

Sometimes it feels like I don’t choose the projects I work on, they choose me. As I was rehousing the archaeology collection of the Lost City Museum I kept coming across more and more incised stones. I knew the museum had a couple dozen incised stones that were recently on display at the museum. It wasn’t until I went through all of the boxes in the collections storage areas that I realized the museum had over one hundred incised stones (this perfectly illustrates why I started the rehousing project; I never knew for sure what the museum had and what wasn’t stored in the correct place). Given the number of incised stones at the museum I felt that it was extremely important that I properly catalog and analyze the stones so that the information could be used by researchers in the future.

My analysis of each incised stones consists of recording the dimensions of each stone and noting whether the stone is hand size or smaller (the majority of incised stones can be comfortably carried in a hand). Next I categorize the design present on the stones. A past researcher was helpful enough to come up with eight categories of incised stone designs: curvilinear, dendritic, circle, band, bisect, cross-hatch, anthropomorph, and no discernible design. An example of a curvilinear design can in seen in the included photograph. Next I determine the stone’s material type. A majority of the stones analyzed so far have been sandstone, a readily available stone in southern Nevada. Once I gather all of the data I will be able see the patterns present within the collection. I can then compare this information to the information already obtained from the analysis of other incised stone collection at Nevada State Museums and see if the Lost City Museum collection differs greatly from those collections.

This is an ongoing project because as much as I would like to focus all of my time on the analysis of the incised stones, new projects or issues pop up on a daily or weekly basis. As the curator of a small museum I wear many hats, and I often have to put projects on hold while I research something for a fellow archaeologist or give a tour to a group of Girl Scouts. One great thing about being an archaeologist for a museum is that it is unlikely I will run out of research topics any time soon.

Archaeology Lab Rat in West Virginia: Day 455

Happy Day of Archaeology 2012 folks!

Presently, I am a curator for the research facility at Grave Creek Mound Archaeological Complex in Moundsville, West Virginia.  We are the first curation facility for archaeological artifacts built within the state (opened in 2008) and we house thousands of artifacts either excavated by state/federal organizations or personal collections donated by citizens.  The complex consists of not only the research/collections wing but is also home to the Delf Norona Museum.

My job varies on a daily basis but today I continued inventorying artifacts from a Fort Ancient Native American site formerly located in the southern part of the state.  Notice I use the word “formerly.”   Like so many archaeological sites worldwide, the site was destroyed after excavation and no longer exists.  It is now home to an industrial plant, one reason why our jobs as archaeologists are so valuable!  We are recording a past that may not be around for the future due to industrialization, roads, or any number of other destructive changes that can occur to the land.

Shell Tempered Cord Marked Sherds

Around 10:30 am, I looked up from analyzing a few prehistoric ceramic sherds and saw the observation window filled with a group of inquisitive, happy kids visiting the complex for a field trip.  I must admit, it has taken some time getting used to having people stare at you while you work throughout the day, but I now welcome it.  Who knows, maybe there is a future archaeologist in the crowd!

Possible future archaeologists!

This afternoon, we were fortunate to have Christina, one of our regular volunteers come in.  She is currently working on processing a large artifact collection that was donated to the facility many years ago.  She spent a few hours washing  lithic artifacts that will ultimately be labeled, sorted, and made available for researchers.  I don’t know what we would do without all of our reliable, hardworking volunteers!

For me, Day of Archaeology 2012 ended with inputting data into our always growing database (with some background 1980’s genre music playing from the internet radio to break the silence).  While it’s far from being glamorous, it’s priceless work.  At the end of the day, I’m just trying to do my part to preserve a little bit of West Virginia’s past for our future.

Inventorying prehistoric ceramic sherds



Display Cases: Creativity, Arm-Waving & Ideas

Job title: Senior Properties Historian

Organisation: English Heritage

Usual base: Bristol

Currently working on: Stonehenge visitor centre

Find me at: @SueGreaney

Today in stats: 1 workshop/meeting (5.25hrs); 4 trains (3.5hrs);  2 tea runs (20mins); 1 colleague chat (45mins); 1 large chocolate muffin (5 mins); 1 very welcome beer (time tbc).

Today I’ve been up to our West Midlands office in central Birmingham, with my colleague and curator Sara Lunt, to meet with our exhibition designers Haley Sharpe Design.  We’re all currently working flat-out on our permanent exhibition which will form part of the new Stonehenge visitor centre. We’re doing our display case layouts at the moment – thinking about how our archaeological finds will be mounted alongisde text, graphics and replicas.

On the train on the way up to Birmingham I spend some time reviewing and updating my ‘to do’ list – I have so much to do at the moment that lists are the only way I can keep up with the next most urgent thing. Also checking into my e-mails and Twitter. I saw a great tweet the other day, something along the lines of – you don’t choose your career anymore, you just choose what to answer e-mails about! Well my e-mails are mostly about archaeology even if that definition gets stretched a little. With a hefty dose of project management thrown in.

Not the type of building where you’d expect an archaeologist to spend the day… Photograph by Ell Brown via Flickr

Arriving at The Axis, where EH is based, I stop for a tea on the way. The meeting quickly gets underway. Case layouts is one of those tasks that needs a spatial mind – being able to imagine the 3D layouts of the cases from 2D plans and elevations. It’s also a bit like a jigsaw puzzle – well that object needs to sit alongside that text, but that story has to be on the same side as that group of other objects… We’ll be re-creating quite a number of archaeological contexts, so we talk through the details of these. Soon our meeting room table is covered.

These meetings are quite intense but very creative and exciting – lots of ideas and hand waving today. Tea run no.2 and a grabbed sandwich. Time flies by and I forget to take a photo for this post – sorry! We talk reconstructions and look at recent examples we like. More work to be done here. Sara has been up this week to view the final objects we’re getting on loan from the Stonehenge Riverside Project and we look at where these fit in.

We have to have a really good understanding of what stories we’re trying to get across. We’re been into the detail of the archaeology to such an extent that we now have to extract ourselves and think from the position of a visitor. Imagine you are a tourist from Europe, just arrived on a coach, with only a sketchy understanding of prehistory in your own country, let alone somewhere else entirely – what does this tiny bit of flint mean to them? We archaeologists can all get geekily excited about petit-tranchet derivatives, but really… it is the people of the prehistoric past who have to shine through our displays.

We finish in good time – feeling satisfied that we’re nearly there with this task! I take the chance to catch up with another colleague Beth Thomas, the Stonehenge World Heritage Site Co-ordinator who happens to be in the Birmingham office today. We talk about some upcoming meetings relating to projects happening in the World Heritage Site. She’s also just launched a newsletter Megalith for the WHS which looks good (spot my contribution).

On the train on the way home (after devouring a large chocolate muffin and some fruit) I write up the action points from our day for everyone to make sure they complete all their tasks. I also check details for Monday – I have a site visit at Stonehenge with a colleague, following by another meeting with our exhibition designers at our Salisbury office.  It’s all go. I feel like we might need one of those Olympic style countdown clocks…. in which case it is 473(ish) days to go until we open – gulp. You can find out more about our plans on the EH website. I check into Twitter and have a conversation about capes(!), and read some of the posts on this site, before finally reaching home to catch up with my other half and his day. Now I’m writing this with a welcome Friday beer. Cheers!

PS. Thanks to the wonderful organisers of Day of Archaeology 2012 for their sterling work (again) – see you in 2013!