On Fridays, my husband and I are usually writing or researching or doing school visits, but this week we were at home working on our website. We co-write and illustrate a Maya-themed adventure series for 9-14 year-olds called The Jaguar Stones. Eight years ago, we gave up our jobs in a London advertising agency to become writers in rural Vermont. At that point, I knew nothing about the Maya and never dreamed that one day my life would revolve around them – to the extent that we’ve now explored nearly forty sites in Guatemala, Mexico and Belize, got to know many leading Mayanists, presented at the AIA Archaeology Fair, and visited countless schools around the United States.
It all started when we decided to write a children’s book set in the jungles of Central America. My husband Jon had grown up there and the book grew out of his memories of a wild childhood. So at first, the Maya pyramids were just a cool background for our story. But the more we researched the Maya, the more we realized that truth was more fascinating than fiction. It soon became apparent that most textbooks were out-of-date and did not reflect the latest archaeological findings. Since then we’ve made it our mission to bridge that gap.
Everything we write is checked by Harvard professor, archaeologist and epigrapher, Dr Marc Zender, who keeps us up-to-date with the latest thinking. For example, one of our main characters was a Maya king nicknamed Lord Six Rabbit, a name we loved. Six Rabbit was supposed to be his birthday in the Maya calendar, but Dr Zender advised us that the Rabbit interpretation of that day glyph is now seen as Aztec. (The Maya reading now being star, as in Venus the morning star.) Given the amount of misinformation that’s already out there about the Maya, we wanted our books to be as accurate as possible. So, with a sigh, we changed our king’s nickname (and his birthday) to Six Dog.
When we visit schools, we often wear pith helmets in a tribute to one of my personal heroes, Sylvanus Griswold Morley – the dashing, daredevil director of the Chichen Itza project and WW1 secret agent. (I even gave the hero of the Jaguar Stones the middle name of Sylvanus.) Or sometimes we wear leather hats like the most famous archaeologist of them all, Indiana Jones. But one of our greatest pleasures is meeting and talking to real life Mayanists. We’re trying to film as many of them as possible for our website and today Jon was editing an interview with Dr Mark Van Stone, Professor of Art History at Southwestern, leading expert on 2012 and author of one of the best books on the subject. When it’s up, you can view the interview here, along with all the others. Link to archaeologist videos
In the clip, Dr Van Stone is talking about how the myth of the world ending in 2012 arose and why it’s complete nonsense. If kids google 2012, they find literally thousands of websites proclaiming doom and gloom and blaming it on the Maya. Many children are terrified, but it’s virtually impossible for them to access the truth. So when we visit schools, we try to empower the students to question everything they read on the Internet and give them a much broader understanding of the Maya world. We also try to convey something of an archaeologist’s life with a video mash-up of archaeologists and anthropologists talking about their hairiest experiences – usually involving skulls, snakes, scorpions, giant centipedes, cave spiders, killer bees and, in one case, a cockroach sandwich.
While Jon was editing videos, I was scanning in some amazing projects presented to us by students on our last book tour. I’m trying to create some new teacher pages to go along with our lesson plan CD. Sometimes we’ll walk into schools and find ourselves surrounded by Jaguar Stones projects on every wall. Other times, they’ll decorate the school like a jungle in our honor. One school even had a fog machine to generate an appropriately spooky atmosphere. Recently, a student wrote to us and said: “I used to want to be a doctor and save lives, but now I want to be an archaeologist.” Not sure how I feel about that one.
If we get the website sorted before the end of the day, I’m also hoping that we’ll get around to packing up the Maya king costume that’s currently adorning a mannequin in our dining room. We originally made it to take to schools, and we set it up last week for some passing tourists, but now it’s scaring our dinner guests! I think it’s the taxidermy eyes in the jaguar mask that freak people out. Of course, no actual Maya king costumes survived the jungle and the Spanish conquest, but we based our design on wall paintings and sculptures. I spent many long hours on eBay bidding for the feathers and found a Las Vegas showgirl headdress that we deconstructed to form the base. The whole thing was made and put together by our niece who’d had experience making circus costumes at university. When we take the costume to schools, it’s usually modeled by a teacher, much to the students’ delight. We had it with us for school visits in Florida when we went to the Maya at the Playa conference last year. Predictably a late-night reveler insisted on trying it on and wore it back down to the bar where the eminent archaeologist speakers were still, ahem, gathered. We thought they might be horrified at the liberties we’d taken in our design but they all loved it and many of them posed for photos with it!
As soon as we’ve got the website updated and the costume packed away, it’s back to work revising, editing and illustrating The Jaguar Stones book three.”